Heading into Destroyers of the Soft Life, the fourth LP by J. Roddy Walston and The Business released September 29 via ATO Records, JRWATB pursued a brighter, more nuanced sound that teased out the band’s latent pop sensibilities without skimping on energy or attitude. As you press play on the opening track “You Know Me Better”, anthemic guitars scream out of buoyant, hooky lyrics as Walston’s chugging piano supplies a persistent heartbeat. The “bar band” sound of the past has been replaced by an aspirational, booming cacophony that could fill stadiums.
Instead of the raucous bombast JRWATB manifested on their breakout hit album Essential Tremors, the band’s leader had certain rules he was determined to follow on Destroyers of the Soft Life. One was: “Speak/sing clearly, no hiding behind mumbles.” Another was, “D.I.Y. but hi-fi — record ourselves as much as possible but have it sound amazing and full.” The final, most important, rule was, “Nostalgia is a cancer — acknowledge that you are in the present.”
Helping the band realize a new vision for its music was veteran producer Phil Ek (Built To Spill, Father John Misty, Fleet Foxes), who came in to apply some finishing touches after JRWATB completed most of the record in Virginia.
“The thing with Phil is he is a servant of the song and that is my vibe as well,” Walston says. “Ego has no place in songwriting or the studio and we hit it off in that respect right away.”
Throughout Destroyers of the Soft Life JRWATB similarly melds engaging, melodic songwriting with sharp observations about American culture that take on a new kind of power in light of the 2016 presidential election. Standout tracks such as the infectious “Ways And Means” and swaggering “Blade Of Truth” offer the uncompromised, salt-of-the-Earth perspective of a songwriter who grew up among the white working class and yet has enough perspective to see the ways in which those people have undermined themselves in the political realm. As Walston sings in “Blade of Truth,” there is now “a judgement on the herd / and your privilege will burn.”
Amid the torn-from-the-headlines commentary, Walston revisits the same question: “Is the truth a hard line, or it is a flexible line that can be messed with?”